To paraphrase George Harrison, “the “you” in the song, is God.” Gaining this insight gives the song even more creepy mysticism. “Long, Long, Long,” from the “White Album,” is officially one of my favorite Beatles songs. Like many people growing up with the Beatles, I wasn’t a fan of the song until I got much older. When I was a little kid, it was too quiet (probably the quietest Beatles song in the catalog) and too boring for me to really feel. As I grew older, I realized it was a master class of songwriting and personal expression, and it began to affect me greatly. It’s simply a fantastic gorgeous ode to love and God, expressed in the most ambiguous way imaginable. I also love the little high pitched organ part, which reminds me of an ice queen ballerina dancing alone in the snow. What’s that mysterious rattle at the end of the song you ask? It’s a bottle of wine vibrating to the frequency of a peculiar Hammond organ note being played by Paul McCartney. Pretty cool no? You know what else is cool, you only have 4 more days to vote me as CBS’s Best Local NYC Blogger, by clicking here!
Archive for folk pop
The Beatles, Long, Long, Long
Posted in George Harrison, The Beatles, Youtube Favs with tags 60s rock, experimental folk, folk, folk pop, George Harrison, George Martin, jazz waltz, John Lennon, Long Long Long, Paul McCartney, psychedelic folk, quiet rock, Ringo Starr, Rock and Roll, the Beatles, The White Album, willie simpson on September 5, 2011 by WillieWillie Simpson, Another Broken Heart (pt. 7)
Posted in Willie Simpson's Original Music, Willie's Live Youtube Performances, Youtube Favs with tags Another Broken Heart, Another Broken Heart (pt. 7), Brooklyn, Epiphone Casino, folk music, folk pop, George Harrison, George Martin, India, indie rock, John Lennon, Julia, Microsoft Paint, Not Guilty, Paul McCartney, Ringo Starr, Robbie Williams, Rock and Roll, the Beatles, The Road to Mandalay, The White Album, willie simpson, Willie Simpson's Original Music, Yamaha, yamaha acoustic on September 2, 2011 by WillieI wrote this song last fall, recorded it in the winter, started the music video in the spring, and put it away till..well…today. The reason it’s the 7th part is because it took 7 mixes for me to get it just right. Musically, this song was inspired by John Lennon’s “Julia,” and George Harrison’s “Not Guilty.” I was going to call it, “The Road to Mandalay,” but I realized that British pop star Robbie Williams already had a song by that name, and the appeal of such a title went out the window. The guitar picking was done on my ’75 Yamaha acoustic, and the guitar solo was played on my Epiphone Casino. I really wish I could have made a beautiful live version video of the song, but I don’t have the money to arrange for it to be done perfectly. What you get instead is a charming little exercise in the wonder that is Microsoft Paint. I gave up making the video many months ago because creating all the titles for the lyrics was so tedious that I lost interest until today, when I realized that I’m now unemployed, and it would have been a shame to not get it done when I had the chance. I hope you enjoy it, and if you have any questions don’t be afraid to ask. Oh, and of course, please vote me as NYC’s best local blogger in the CBS contest where I am a finalist. Thanks.
Bob Dylan, Idiot Wind (Live)
Posted in Bob Dylan, Youtube Favs with tags 70s rock, Blood on the Tracks, Bob Dylan, Colorado, folk, folk pop, folk rock, Hard Rain, Hughes Stadium, Idiot Wind, Jakob Dylan, NBC, Rock and Roll, Sara Dylan, willie simpson on August 3, 2011 by WillieI’m not ready to leave this concert from May 23rd, 1976 at Hughes Stadium. For this segment, Bob is leading his band through a scorching rendition of “Idiot Wind,” another track from Blood on the Tracks. This live version is especially nasty the way Dylan just bashes his electric guitar and snarls every lyric. The song is about his ex-wife Sara, at least according to Bob’s famous son Jakob. Bob denied this, but Jakob famously said that the nastier tracks from Blood on the Tracks are, “my parents talking.” It doesn’t matter, because again, Bob puts the universal touch in all his songs, and this song is no different. It’s a remarkable and scathing diatribe of broken love and bitter nostalgia, and its a great moment in rock and roll history. A true folk rock gem whose long running time shouldn’t scare anyone from playing it, and if you are, well, you’re an idiot.
Bob Dylan, Shelter From the Storm (Live)
Posted in Bob Dylan, Youtube Favs with tags 70s folk, 70s rock, Blood on the Tracks, Bob Dylan, Colorado, folk music, folk pop, Hard Rain, Hughes Stadium, NBC, Rock and Roll, Rolling Thunder Revue, Shelter From the Storm, willie simpson on August 2, 2011 by WillieThe year was 1976, and Bob Dylan was in Colorado at Hughes Stadium singing one of his greatest songs ever, “Shelter From the Storm.” Originally from Blood on the Tracks, the song was being filmed and recorded for Bob’s live record Hard Rain. “Shelter From the Storm” is one of Bob’s most enduring poems. Its a universal anthem that blithely crosses nostalgia with tall tales of true romance and bitterness. The video below is taken from NBC’s hour long film of the concert and showcases what Dylan would do in a live setting for the rest of career, namely never playing his classic songs the way you heard them on record. This version of “Shelter From the Storm” is transformed from a somber acoustic ballad into an upbeat rocking rave. It’s also a sight to see Bob play that incredibly unique electric guitar with a slide no less! This is a wonderful rendition, and a must watch for fans of Bob’s middle eastern head gear phase.
The Rolling Stones, Play With Fire
Posted in The Rolling Stones, Youtube Favs with tags 60s rock, Brian Jones, British Invasion, chamber pop, Charlie Watts, English Rock, folk pop, folk rock, Keith Richards, Mick Jagger, Mick Taylor, Nanker Phelge, Out of Our Heads, Phil Spector, Rock and Roll, The Rolling Stones, willie simpson on August 1, 2011 by Willie“Play With Fire,” a 1965 B-Side by the Stones, was credited to Nanker Phelge, a pseudonym the Stones used when they attributed the songwriting to all the members. Still, its mainly the work of Jagger and Richards, with Phil Spector on bass oddly enough. In fact, Mick and Keith are the only Stones to appear on the track. It was recorded on a late January night in 1965 Los Angeles; what a scene that must have been. This song is pure attitude. Richards came up with the perfect guitar line to match Jagger’s ferociously deadly delivery. It’s one of my favorite Stones songs ever, and the video below captures the Victorian hellishness of the song’s power. The Rolling Stones were truly a one of a kind phenomenon coming along at the ground zero for rock and roll phenomenons. This song is proof of their unique singularity in music history. Enjoy.
Willie Simpson, Sip From Your Fork
Posted in Willie's Live Youtube Performances with tags folk, folk pop, Rock and Roll, Sip From Your Fork, willie simpson, yamaha acoustic on April 29, 2011 by WillieAnother live show, this time me playing an original. Sip From Your Fork, written when I was 22, never properly recorded. A damn fine set of lyrics.
It was clearly your fault, you are locked in a vault
and what’s worse you have swallowed the key
You are covered in sleet and you are in it so deep
that in time theyll forget where you’re buried
so you might as well send your demons to hell
give a shout for some help do not worry
theres a reason to live that is true
you know what to do
its waitin for you because, its in you
I only can watch, as your monolog flies by
your mind and your lips everyday
you rant and you rave, yet you cannot convey youre insane
no one knows what to do, with you
youre dry as a cactus and without a tune, as you sip from your fork
and get bent by your spoon
come with me i can show you the way, ill show you today, why today
because, its monday
i will not believe that you will not be free
oh these negative illusions you spray
ill always contend, and i never pretend
when i beg you to see it that way
but youre chained to a rock, with your eyes on a clock
ears defeaned to things that I say
I can reach you if you reach for me, we both can believe
if you wish to be free, then you will be
Words and Music by Willie Simpson
The Magnetic Fields, Grand Canyon
Posted in The Magnetic Fields, Youtube Favs with tags 69 Love Songs, Arizona, Claudia Gonson, folk pop, Frank Sinatra, Future Bible Heroes, Grand Canyon, indie pop, John Woo, noise pop, Sam Davol, Shirley Simms, snyth pop, Stephin Merritt, The 6ths, The Gothic Archies, The Magnetic Fields, willie simpson on April 22, 2011 by WillieIn part 43 of my youtube countdown, I present to you the Magnetic Fields singing “Grand Canyon,” one of their great songs off their epic 69 Love Songs album. The Magnetic Fields are the brainchild of serially depressed genius Stephin Merritt. To me, Stephin is lyrically as brilliant as Bob Dylan..yes, I know what I just said, but its true. He is a master pop lyric craftsman and probably one of the top 3 contemporary songwriters in the world today. He sings in a very low Sintra-esque voice, which, to me, adds a timeless quality to his very original music. “Grand Canyon,” a breathtakingly brilliant song about rekindling lost love, is one of 69 songs from his aforementioned triple album. The album, which you all should get, and which I’ll probably do a big feature on soon, is one of the greatest pop albums of the past 20 years, and deserves to be heard by all, so check it out. In the meantime, let the brilliant simple words of “Grand Canyon” serve as your introduction to this band of geniuses.
George Harrison, Paul Simon, Here Comes the Sun
Posted in George Harrison, Paul Simon, Simon and Garfunkel, SNL, Youtube Favs with tags 60s pop, 60s rock, 70s rock, Abbey Road, folk pop, folk rock, George Harrison, Harrison and Simon, Here Comes the Sun, Paul McCartney, Paul Simon, Pop, Rock and Roll, Saturday Night Live, Simon and Garfunkel, Simon and Harrison, SNL, Still Crazy After All These Years, the Beatles, willie simpson on April 18, 2011 by WillieFor part 38 of my youtube countdown, I have another fantastic George Harrison duet. This time its with Paul. No not McCartney, but SIMON! This version of George and Paul tackle George’s incomprehensible 1969 stunner, “Here Comes the Sun.” The occasion was Saturday Night Live and the results were breathtaking. George hits all his acoustic marks with perfection, and Paul Simon’s voice just melts perfectly into George’s harmony. The freaky thing about the video is how Paul Simon keeps looking at George like he wants to take him to bed, or more likely, create a new group called “Simon and Harrison.” But George wasn’t about to be stuck with another Paul telling him what type of guitar solo to play on “Still Crazy After All These Years.” So, instead, like with most of rock and roll history, we just have singular moments, and here’s a good one, enjoy.
George Harrison, Bob Dylan, If Not For You
Posted in Bob Dylan, George Harrison, Youtube Favs with tags 60s rock, 70s rock, All Things Must Pass, Bob Dylan, folk, folk pop, folk rock, George Harrison, If Not For You, Madison Square Garden, MSG, New Morning, Phil Spector, Robert Zimmerman, Rock and Roll, the Beatles, The Concert for Bangladesh, willie simpson on April 16, 2011 by WillieThe hits keep rolling, and for part 37 of my youtube countdown I present this incredible and rare video of George Harrison and Bob Dylan playing Bob’s “If Not For You.” Holy shit, where to begin. First of all, this was a rehearsal for George’s “Concert for Bangladesh” show, the first rock charity show ever. George was Bob Dylan’s biggest fan, worshiping all his music, his whole life. At this point in Dylan’s life, he was in exile in Woodstock not wanting to make any public appearances, but somehow George convinced to appear at his Madison Square Garden mega show to play a set. Bob was nervous as fuck, having panic attacks and throwing up back stage before the actual show. George wasn’t sure if Bob would have the nerve to do it, but he did, and it inspired Dylan to get out there on the road again. This video speaks for itself. Two icons of musical genius expression, playing one of Bob’s most gentle songs from his New Morning album, (George covered the song on his All Things Must Pass record just the year before.) Just a fantastic moment in music history. Enjoy.











