Well, I haven’t updated the ole’ website in a good while, and the reason is because I’m still making more rock and roll. The intention of this humble little corner of internet space was never to be a daily rock and roll blog, that happened more or less organically. The site was created to feature my music, and to that end, my album, which I’ve previewed extensively on this site, is nearly finished. The album in question, which I’ve named Funeral Business, is something I’m growing increasingly proud of. The album art, which the ever lovely Sonia Rapaport created, is the thing you’re looking at right above. Right now I’m collaborating on one last tune with Andrew Lee, and from there, the future promises to reflect the glimmering wonderfulness to be entailed within it. I’m planning a mini documentary movie in the coming weeks about the creation of the record, and a further reflection on my thoughts on rock and roll and what it means to me. Its a flourish of self centered activity that I find rather distasteful, but necessary to further spread the joy this music has brought to me. I want to thank all my friends and family who have helped me along the way here, and I also want to post this incredibly cool video someone made deconstructing the “Sgt. Pepper” song, because it goes against everything in my nature to provide an update without some music. This little video is really fascinating, breaking the song down into its component parts, giving you a sense of how the Beatles created their masterpieces. You will also be hypnotized by those groovy multicolored lines of sonic goodness. Enjoy.
Archive for blues rock
Making More Rock And Roll, Deconstructing Sgt. Pepper
Posted in The Beatles, Willie Simpson's Original Music with tags 60s pop, 70s rock, 80s rock, 90s rock, Andrew Lee, blues, blues rock, British Invasion, British Rock, folk rock, Funeral Business, George Harrison, George Martin, John Lennon, Paul McCartney, piano pop, Pop, psychedelic pop, psychedelic rock, Ringo Starr, Rock and Roll, Sgt. Pepper, Sgt. Pepper deconstructed, Sgt. Pepper's Lonely Hearts Club Band, soul, the Beatles, willie simpson, willie's music on December 1, 2012 by WillieBig Mama Thorton, Budddy Guy, Hound Dog
Posted in Big Mama Thorton, Buddy Guy with tags 50s blues, 50s rock, Big Mama Thorton, Big Mama Thorton Buddy Guy, Big Mama Thorton Buddy Guy Hound Dog, Big Mama Thorton Hound Dog, blues, blues rock, Buddy Guy, Buddy Guy Hound Dog, Elvis, Elvis Presley, Hound Dog, R&B, Rock and Roll, soul, Willie Mae Thorton, willie simpson on October 25, 2012 by Willie“Hound Dog” is one of the greatest blues rock songs of all time, so it should come as no surprise that this is the third instance of me posting a version of it. The other two occasions involved the King Elvis Presley, but for this time, I have the superior version. Its Big Mama Thorton and Buddy Guy teaming up to play the song that Mama made a hit 4 years before Elvis. Her version just roasts with perfection. The way Big Mama just growls and bites into the verses, singing like no one else could sing it, even the King of Rock and Roll. This performance is almost too hip for this galaxy, proof of human artistic perfection, and America couldn’t help but agree as Willie Mae Thorton sold 2 million copies of it in 1952 and 1953, spending 7 weeks at #1; an ultra smash for the early era of rock and roll. I’ve played this video about eight times this week and I can’t get enough, and I hope you enjoy it as much as I do.
Sister Rosetta Tharpe, Up Ahead My Head, and Documentary
Posted in Sister Rosetta Tharpe with tags blues, Blues Gospel, blues rock, Gospel, Gospel Blues, gospel soul, guitar rock, lesbian, secret lesbian, Sister Rosetta Tharpe, Sister Rosetta Tharpe BBC Documentary, Sister Rosetta Tharpe Documentary, Sister Rosetta Tharpe Up Above My Head, willie simpson on September 27, 2012 by WillieSince my last post on the insanely great Sister Rosetta Tharpe, I’ve come to learn a great deal about her thanks to a wonderful hour long documentary on her produced by the BBC. The documentary tracks her sensational life and career in complete loving detail. The main thing you take away from the film is that Rosetta was light years ahead of her time. Not only was she a ferocious electric blues guitar player, an anomaly if there ever was one for a female black singer, she was a lesbian in a time and place where such a reality was of the utmost secrecy. Like many women of her time, she had several marriages to men, most notably holding one in a huge ceremony held in a raucous Washington DC baseball stadium. These were basically sham marriages though, with her various male partners abusing or controlling her in some way, either out of cruelty, or robbing her money. Her real heart belonged to other women, and if her secret got out, it would have spelled doom for her career as a gospel singer. The documentary, which I’m presenting below, does a fantastic job of going into the details of Rosetta’s incredible life and her incredible music. I’ve also included one last full clip of Rosetta shredding guitar for the gospel stomper, “Up Above My Head.” All great stuff, all well worth your time.
The Unparelled Sister Rosetta Tharpe
Posted in Sister Rosetta Tharpe with tags blues, Blues Gospel, blues rock, Bob Dylan, Bob Dylan Radio Show, Didn't it Rain, Elvis Presley, Gospel, Gospel Blues, Johnny Cash, Joshua, Little Richard, Rock and Roll, Sister Rosetta Tharpe, Sister Rosetta Tharpe Didn't It Rain, Sister Rosetta Tharpe Joshua, Sister Rosetta Tharpe Live, Spirituals, willie simpson on September 23, 2012 by WillieFor those who have never heard of, or seen Sister Rosetta Tharpe, welcome to your baptism by fire. Sister Rosetta Tharpe is the first superstar of gospel, known as “the original soul sister,” and ever since her life was tragically cut short at the too young age of 58, her feats and persona have never been topped, let alone repeated. Rosetta was a landmark figure in the history of gospel, blues, and popular music, as she was the first person to dare and combine secular music styles of rhythm and blues with gospel music and lyrics. She was a mean guitar player too, one of the most overlooked pioneers of rock guitar, peeling off dozens of incredible Chuck Berry like licks before there was a Chuck Berry. Her influence was powerful, extending to legends like Elvis Presley, Jerry Lee Lewis, and Little Richard. For Little Richard, who is often referred to as the Father of Rock and Roll, Sister Rosetta was a childhood favorite. He saw her perform at the Macon City Auditorium in 1945, and the 15 year old Little Richard was lucky enough to be invited on stage to sing with her. According to legend, she paid him after the show. Johnny Cash also identified Rosetta as his favorite singer, and made a point of mentioning her as a childhood favorite in his Rock and Roll Hall of Fame Induction speech. For all her acclaim an notoriety, she died in obscurity, and was buried in an unmarked grave in Northwood Cemetery in Philadelphia. Her lost reputation was later rectified by people who never forgot her thunderous ability and unforgettable stage presence. Below I have a video of Rosetta performing “Didn’t it Rain,” and “Joshua.” I first heard “Didn’t it Rain” off the Bob Dylan radio show. The recorded version is a spectacular thing featuring dueling Rosetta vocal takes harmonizing and flying all over the place and just incredible guitar overdubs. The live version is understandably more raw, but just as good. I’ll let you judge for yourself.
Robert Johnson’s Real Voice, Love in Vain
Posted in Robert Johnson with tags blues rock, delta blues, Love in Vain, R&B, Robert Johnson, Robert Johnson Love in Vain, Robert Johnson's Real Voice, Robert Johnson's Voice Slowed Down, Rock and Roll, the blues, willie simpson on August 27, 2012 by WillieI’m convinced. Slow down his voice, and you hear the real man. Someone on the internet put it much more eloquently than I, that it’s like meeting Robert Johnson again for the first time, and what better thing could there be? I suppose I should explain myself, so I’ll do it as succinctly as possible. Robert Johnson, godfather of confessional guitar oriented blues, which is essentially the underpinning of all modern pop music, has been misrepresented. His precious 30 or so recordings, which represents the majority of the scant evidence of his very existence, was recorded at a speed 15% faster than the reality of the performance. The main consequence being that his guitar playing was cartoonishly sped up, and his voice given the Alvin and the Chipmunk treatment. Why was it done? Probably to fit more songs on the record. I doubt it was done for any artistic reason on part of Robert or the producer. It wouldn’t so much of a crime if there existed more than what we have, but we don’t have anymore, so all we are left with are crazy people like me who hear slowed down versions and state baseless certitudes with reckless abandon on the ole fashioned internet. Alright, enough of my craziness. Time to listen for yourself. I present below “Love in Vain,” his most beautiful and haunting broken love ballad, in both its original form (tampered form,) and in the ‘fixed’ form. You be the judge.
Derek and the Dominos, Presence of the Lord, Covered by Andrew Lee
Posted in Andrew Lee, Derek and the Dominos, Eric Clapton with tags 60s rock, 70s rock, Andrew Lee, blues rock, British Invasion, British Rock, Derek and the Dominos, England, Eric Clapton, Funeral Business, Presence of the Lord, psychedelic pop, psychedelic rock, soul, the blues, willie simpson on July 11, 2012 by WillieAndrew Lee is an amazing guitar player. Better then amazing actually, a genius. How do I know? Well outside of the fact that he has played lead on a ton of my recordings, including this one, he has just today started making no frills videos showcasing his incredible talent. The video below shows Andrew, matching Eric Clapton of Derek and the Dominos, note for bloody note. Andrew’s casual perfection was attained through a hard earned, borderline servile dedication to blues music, a dedication that if you know him in person, is awe inspiring. Andrew is a real talent who pours genuine emotion into everything he does with a guitar, so please, just take a few minutes to bask in the “Presence of the Lord,” and remember who brought you there, Andrew LEE!
The Rolling Stones, Some Girls
Posted in The Rolling Stones, Youtube Favs with tags 60s pop, 60s rock, 70s rock, Backbeat, Bill Wyman, Blondie, blues rock, Brian Jones, British Invasion, British Rock, Charlie Watts, country, country rock, Death Proof, Dr. No, Easy Rider, England, folk rock, Goldfinger, Goodfellas, Ian McLagan, James Bond, Keith Richards, Mel Collins, Mick Jagger, punk, punk rock, Quadraphenia, R&B, Rock and Roll, Ronnie Wood, Simon Kirke, Some Girls, soul, Sugar Blue, The Rolling Stones, The Rolling Stones perform Some Girls, The Rolling Stones Some Girls Music Video, The Sex Pistols, The Sopranos, willie simpson, youtube on November 29, 2011 by WillieSome Girls is one of the best Rolling Stones records. It’s sleazy, dirty, punky, and country. It came out in 1978, and has just been reissued it a nice little collectors package. You should get it; I know I will. To celebrate its corporate repackaging, I present to you a thoroughly scandalous fan made music video of the title song from the record. The video features classic films such as “Easy Rider,” “Backbeat,” “Quadrophenia,” “Death Proof,” “Goodfellas,” and “Dr. No.” It also has great clips of the Sex Pistols, Blondie, and the Rolling Stones, all vamping it up for one of the Stones most booziest songs.
The Black Keys, She Said She Said
Posted in The Beatles, The Black Keys, Youtube Favs with tags 00s rock, 60s rock, blues, blues rock, British Invasion, British Rock, Dan Auerbach, garage rock, George Harrison, George Martin, indie pop, indie rock, John Lennon, Los Angeles, LSD, Patrick Carney, Paul McCartney, Peter Fonda, psychedelic pop, psychedelic rock, Revolver, Ringo Starr, Rock and Roll, she said she said, the Beatles, the big come up, The Black Keys, the black keys and the beatles, the black keys cover the beatles, the black keys perform she said she said, The Byrds, willie simpson on November 28, 2011 by WillieThe Black Keys are guitarist Dan Auerbach and drummer Patrick Carney. Together they have forged a highly successful blues rock revivalist band that are the darlings of the upper tiers of the indie rock world. I’ve always like them, but have not extensively combed through their catalog. Perhaps I’ve finally found a reason to. The reason comes in the form of their cover of the Beatles “She Said, She Said,” from their debut album The Big Come Up. The original Beatles song, from Revolver, is about one of John’s most infamous LSD trips. In 1966, he was tripping in LA with the rest of the Beatles, the Byrds, and Peter Fonda. Fonda, tweaking out, began to obsessively tell a story about how he nearly died as a boy, and couldn’t stop saying, “I know what its like to be dead.” John, understandably freaked out by Fonda’s dark ramblings, promptly wrote a song, and changed Fonda into a girl to fit the Beatle songwriting mold. Though, by 1966, the Beatle mold now included feedback, acid drenched distorted guitars, and glorious swirling psychedelic harmonies. The song was a progressive leap forward for the Beatles, and for rock and roll as a whole. 36 years later, the Black Keys took that song, a song that was still in mid leap mind you, and gave it a real throwback treatment, turning it into a hip 60s blues club rocker. I love the Black Keys version, as it gives the song a grungy and gritty makeover and reveals the essence of the song’s fantastic pop melody. Because it is so fantastic, I’m giving you two versions, the unofficial music video, and a cool live performance. Check em out.
Eric Clapton, Have You Ever Loved a Woman
Posted in Eric Clapton, Youtube Favs with tags 60s rock, 90s rock, blues, blues rock, British Invasion, British Rock, England, Eric Clapton, Freddie King, George Harrison, guitar gods, guitar rock, Martin Scorsese, Nothing But the Blues, PBS, Rock and Roll, willie simpson on November 14, 2011 by WillieThe incredible and sweaty bluesman you see in the beginning is Freddie King. Don’t be confused, this is a Clapton video, but its culled from a never released Martin Scorsese PBS documentary on Clapton’s heroes called, “Nothing But the Blues.” Well, it was shown, but never released on DVD, one of the mysteries of modern media. Anyway, this is Clapton at perhaps his most fiery and demonically possessed. His bends at the 5 minute mark practically bend the whole world, and its the highlight of an absolute rip roaring moment in Clapton’s later career. The nice thing about Eric Clapton was that the older he got, the more confident he became playing blues, a notion he explains at the end of the video. To paraphrase George Harrison, when Eric is in the moment, he is so in tune with the music and himself, that he just shines in such a way that’s impossible to deny. It’s no wonder people compare this guy to God. Check it out.









