This was the third killer single (I Want You Back, ABC) from the Jackson 5 after they made their killer debut on Motown.  It’s a song with a crazy soaring melody and complex vocal arrangement that came from the hit making geniuses “The Corporation,” the Los Angeles wing of Motown’s machine.  This performance, from Ed Sullivan, is lip-synced, but who cares, the recorded version is so insanely good that its still thrilling to see the boys go all out performing it.  For my money, this is young Michael Jackson’s greatest vocal achievement.  It’s the most exciting and challenging lead vocal he ever did, and he absolutely owns it, breathlessly showcasing his unlimited talent and potential.  It’s spellbinding to see how relaxed and confident Michael is on that stage.  He just exudes cool, even at 11 years old. I really think it’s almost impossible how god-like young Michael was.  He is simply one of the greatest child prodigies in music history, and that includes the likes of Mozart.  Unreal.

Sex sells!  I want to thank this “Drunken Angel” above and Tal Wilkenfeld from yesterday for drawing a few extra clicks to my humble little site.  Before anyone accuses me of perversion or lechery or something, I’d like to defend myself a bit by saying this is one of the better lists of rock and roll you are gonna find on the internet.  So, in that spirit, lets close it out right now with clips 24-1 and put this beautiful list to bed once and for all.

#24.  Bob Marley, One Love/People Get Ready – It’s Bob’s version of “All You Need is Love,” and its basically just as good.  Whatever melody making power the Beatles had, Bob had too.

#23.  Bob Dylan, The Lonesome Death of Hattie Carroll – I wish I had more Dylan on my list, but I couldn’t find too many choice clips of him playing my favorite Dylan songs.  This is an exception, one of the greatest Dylan videos you are gonna find on ole youtube. Read more »

Soul week comes to a close with part 87 of my ever expanding youtube countdown.  Today, I have my favorite Michael Jackson cut of all time, “Leave Me Alone,” from Bad. Released in 1987, “Leave Me Alone” was actually left off the American version of Bad, but was later added as a bonus track.  This, I’ll never understand.  It was clearly the best song from the session, representing a clear, concise, and true message from the King of Pop.  It’s basically his banner, more than “Billie Jean,” or “Beat It,” and he should have played it at every live show.  Actually, I don’t think he ever performed it live, which is a shame, because its the hardest rocking piece of funk MJ ever came up with.  The thing that grabs me most are first few seconds.  That 80s snyth keyboard intro is nothing less than hardcore 80s psychedelia.  In fact, this whole song is the closest Jackson ever got to psychedelia.  It’s a swirling, paranoid, personal, foray into his inner demons set to pop music, and it rules.  Anyway, enjoy the music video, which is also one of Jackson’s best.