You may be wondering why I’m putting up an old Cole Porter pop tune from 1928 up my website. If you’ve seen Woody Allen’s glorious flick, “Midnight in Paris,” you know why, but if you haven’t, then a bit of explanation is needed. In the film, a time traveling novelist played by Owen Wilson stumbles back in time somehow, ends up at a hot 20s jazz party in Paris, and finds Cole Porter himself performing the song in an intimate setting. Not “intimate” like an orgy, though maybe one broke out later after Owen left, it’s hard to tell. Anyway, it’s hilarious, but more importantly, the song is simply one of the best ever. This version from Ella Fitzgerald is my favorite, which says something because this song was performed by everyone from Frank Sinatra and Louie Armstrong to Diana Ross and Joan Jett. I’ve taken it upon myself to learn this song on guitar this past week, and its damn hard because of all the jazz chords that require real finger gymnastics. However, with some real determination, and some real creative chord interpretation, I managed to plunk it down pretty well after a few days. Here is the link I used to learn, and if you want to play along with Ella, put a capo on the 3rd fret. Trust me, you’ll like this one guitar players….and uh…lovers of music.
Archive for Sex
My Top 100 Youtube Favorites, a Retrospective, Part 4
Posted in Youtube Favs with tags Australia, Bill Haley, Bill Haley and the Comets, Bob Dylan, Bob Marley, British Invasion, Christopher Walken, Chuck Berry, Drunken Angel, Eternity, Eternity the Game Show, Happy Days, James Brown, John Lennon, Liverpool, Lucinda Williams, Michael Jackson, Motorhead, NBC, Paul McCartney, Rock and Roll, Sex, Sexy Angel, Sgt. Pepper's inner groove, Smokey Robinson, Smokey Robinson and the Miracles, SNL, Tal Wilkenfeld, TAMI rock show, The Atlantics, the Beatles, The Jackson 5, The La's, The Rolling Stones, The Unicorns, The Who, Tom Petty, We are the World, willie simpson, Youtube Countdown on June 30, 2011 by WillieSex sells! I want to thank this “Drunken Angel” above and Tal Wilkenfeld from yesterday for drawing a few extra clicks to my humble little site. Before anyone accuses me of perversion or lechery or something, I’d like to defend myself a bit by saying this is one of the better lists of rock and roll you are gonna find on the internet. So, in that spirit, lets close it out right now with clips 24-1 and put this beautiful list to bed once and for all.
#24. Bob Marley, One Love/People Get Ready – It’s Bob’s version of “All You Need is Love,” and its basically just as good. Whatever melody making power the Beatles had, Bob had too.
#23. Bob Dylan, The Lonesome Death of Hattie Carroll - I wish I had more Dylan on my list, but I couldn’t find too many choice clips of him playing my favorite Dylan songs. This is an exception, one of the greatest Dylan videos you are gonna find on ole youtube. Read more »
Marvin Gaye, Sexual Healing, 1983 Grammys
Posted in Marvin Gaye, Youtube Favs with tags 1983 Grammys, 80s pop, 80s soul, Billboard, Billboard Charts, Bob Marley, doo-wop, Double Fantasy, funk, Gospel, Grammy Awards, Grammys, John Lennon, Marvin Gaye, Motown, R&B, Reggae, Sex, Sexual Healing, snyth pop, snythpop, soul, willie simpson on June 9, 2011 by WilliePart 85 my soul people, back with more Marvin Gaye like I promised. This time, its a special performance of “Sexual Healing,” sung live at the 1983 Grammys. This was Marvin’s last worldwide smash hit, eventually peaking at #3 on the Billboard 100 after dominating the R&B charts. There is a lot of tragedy and joy to be found in the creation of this record. It’s a reflection of Marvin attempting to embrace a healthier more peaceful life through sobriety, exercise, and uh..sex. Sadly, just as he was in the midst of his triumphant comeback, he was gunned down by his father in one of the more bizarre rock and roll assassinations. It reminds me a lot of John Lennon’s demise after he completed Double Fantasy. It’s really painful to think of the three icons; Marvin Gaye, John Lennon, and Bob Marley, all dying in the early 80s. They left a tremendous void. Anyway, this song was almost entirely produced by Marvin himself outside of the rhythm guitars. It’s a true masterpiece that touched on elements of doo-wop, snythpop, reggae, funk and gospel. This performance, a lot like the song, is a triumph. Marvin reminds the music elite that he is an absolute God, taking them to school by defining what pop music is and can be. RIP Marvin.




