The oddly named Olivia Tremor Control hail from Ruston, Louisiana, and are probably the most beautiful thing ever to come out of that place.  Along with Robert Schneider’s Apples in Stereo, the OTC were founding members of the Elephant 6 Collective, the group of like-minded psychedelic  enthusiasts who sought to re-inject the world with the sort of pure kaleidoscopic bliss not heard since 1967.  Fronted by the songwriting team of Bill Doss and Will Cullen Hart, Bill and Will churned out two timeless records of 90s indie rock, possibly the best ever, with back to back double albums, Dusk at Cubist Castle and Black Foliage.  These records are monuments to their ability to carve beauty out of sound.  Filled with fragments, song experiments, and some of the greatest psychedelic pop songs ever, the two records weave together in a gorgeous cacophony of sonic splendor.  If you’re the kind of person who loves the Beatles “White Album,” and always wondered what the  Beach Boys completed Smile would sound like, just buy, download, or steal the OTC’s records immediately.  The band never released any official music video that I know of, so you’ll have to do with straight up still youtube videos as samples, but my preview is going to glide you along OTC’s chronological history.  The first song, “Love Athena,” is from their earliest days, appearing on compilation records California Demise and Singles and Beyond.  It is the great white whale of underground psychedelic pop rock, filling you with feelings of nostalgic love for perfect lost days.  I kind of hate how they mumble some of the greatest lyrics ever written.  Just check out the chorus, “Shining like Athena in a silver suit of armor, Her love is like a nail and now I’ll bring down the hammer, Sprouting like a flower on a hill top where I’ll find her, Where I’ll plant a seed and watch it grow into the streaming light of love.”  Unbelievable poetry.  The next song, “Memories of Jacqueline 1906,” is from Dusk at Cubist Castle, and is just a perfect rock and roll raga.  I have no idea what the song is about, but its basically like a lost melody the Beatles might have churned out in early 1968 when they were meditating in India.  That introductory electric and acoustic guitar part is so perfect, my God, just play it!  Last is the song “Black Foliage (Itself)” from the epic Black Foliage record, (itself.)  Hah.  This song is just a masterpiece of sonic architecture, with sounds rushing in and out, all orbiting around a melody and words so dark and beautiful.  I love how the song keeps crashing into itself like ocean waves at midnight.  All this stuff is hard not to describe abstractly, so I really suggest you get right to work and listen to these tracks, then get everything they’ve ever done.  Before  I go, if they are reading this, I just want to thank the Olivia Tremor Control for creating some of the greatest music of all time, and inspiring me to make music as well.  From one Willie to a Bill and Will, you guys are the best.

When I was 17 years old, I first heard Her Wallpaper Reverie, a sort of mini Apples in Stereo LP, and I was blown away.  It was the first time I’d ever heard anyone from the Elephant 6 Collective, and they were making the exact sort of music I was missing in the world.  In my mind, I pictured front man Robert Schneider as a young, handsome, and skinny punk rocker, a new symbol for the pop world to rally around.  Little did I know he was a portly balding redheaded nerd with glasses.  The resurrection of neo psychedelic pop would have to wait for a more photogenic rock star to emerge, but goddamn did Robert and the Apples know how to make songs.  Obsessed with the Beatles and the Beach Boys, Robert and his band of merry rockers cut some of the catchiest and well recorded rock and roll of his generation, all in relative cult like obscurity.  His one problem were his lyrics, which ran the gamut between childlike and stupid, and often ruined the gorgeous creative gems he would cut with silly irrelevance.  This in no way stops the band from being great, or fun, but in my mind, holds them back from being anything really daring or meaningful.  It’s kind of a harsh criticism, because the music Robert was making was so beautiful, that the lyrical content should be considered an afterthought to his overall concept of bringing true psychedelic pop back to life.  His accomplishments in this field influenced a ton of great bands including Of Montreal, Neutral Milk Hotel, and Olivia Tremor Control, all groups found on the E6 roster.  The song below, “I Told You Once,” from 2010’s Travellers in Space and Time, is another example of Robert’s insane ability to write perfect pop music with flawless mathematical precision.  This song, and all the songs from the album, are heavily influenced by ELO’s Time, the only ELO record I’ve ever listened to coincidentally.  Time was a pompous, overblown, snyth rock explosion, and not for anyone but serious pop music nerds.  The fact that Robert of the Apples sites this as a major influence endears me to no end, and is proof positive that even the most inane cultural artifacts all have their worshipers.  All this talk about the Apples and E6 is taking me hard and fast down memory lane, so expect more of this stuff all week.

I first wrote this song when I was a senior in college in 2006.  I had it kicking around until this past Spring when I decided to revive it.  I brought in my friend and musical genius Ian Wehrle to help me flesh out the lyrics and the bridge, and then I brought in guitar genius Andrew Lee to lay down one of the most exciting guitar solos I’ve ever heard.  The image above is taken from some website I found long ago which shows you pictures of tombstones with your name on it.  I think this one was from England.  It was rediscovering this image, lost somewhere on my hard drive, that was also a motivating factor in me bringing this song to life, and I hope you enjoy it.  Remember to vote for me as CBS’s best local NYC Blogger by clicking here! 

 

Oh, here are the lyrics.

You gotta degree
and now you need a career.
You studied philosophy
so whats it gonna be?
Lets get in the funeral business
there’s money in your buddy’s bones,
or your brother or your mother
or any kind of sucker
don’t you know they’ll all need a home.
See the skeleton playin piano
with a rhythm and a grace untold .
His hollowed out eyes are no disguise,
he’s laughin right in your soul
your soul

I think I finally picked a career
I haven’t had any luck, but its a whole new year
read the lines on my palm, and just look in my heart
where your life ends, is where my life starts
YEA!
(solo)
Lets get in the conjurin business
just waitin on a tax free loan
i got an old curse from a crooked nurse
who i married by the sacred stones

A skeleton sang at the wedding
with a voice broken like a ghost.
He put a vestment on when the sun was gone,
you could tell he was the perfect host
The perfect host

I dig my shovel in the dark wet earth
to another fresh grave I’m a giving birth
I guess I’m just a man who spends his days in a morgue
His nights in a crypt with the gutted and gored
yeeaaaa
(repeat first verse)

TLC ripped it off.  No doubt about it.  This song, “Waterfalls,” was a hit in England, but it was the first song of Paul’s unable to reach the top Billboard 100 despite the previous single, “Coming Up” reaching #1 in the US.  Hmm…”Coming Up” is one of my favorite songs ever, but I can’t embed it on my website!! Click that link above and watch it too, it’s the song that made John Lennon jealous and motivated his return to pop music, unbelievable.  Anyway, “Waterfalls,” from the same album, McCartney II, was released in the magical year 1980, and was Paul’s first post-Wings record.  It’s a slow thoughtful ballad recorded only with a Fender Rhodes electric piano and a synthesizer.  The lyrics are pretty good too, and so is the music video, but it all pales in comparison to Sloan’s driving and insanely catchy version of the tune, which I’ve thoughtfully included.  Sloan really brings out the genius of the song’s melody and lyrics.  They do it so much justice, that’s its clearly superior to Paul’s original.  Amazing.  So check out both versions of the song, and “Coming Up,” and seep in the elegant misty glory of “Waterfalls.”

Nick Thorburn, leader of Islands and co-founder of the now deceased Unicorns outfit, is my favorite young songwriter.  His 2009 LP, Vapours, is my favorite record of 2011, and the more I play it, the more I love it.  In the world of indie rock, Islands is big but have yet to transcend the “scene,” whatever that is.  It’s a shame because Thorburn and his gang should all be big pop stars.  He’s watched groups like Arcade Fire and Vampire Weekend achieve mainstream success and cultural breakthroughs when he knows he is just as good, if not superior.  He’s jealous, and he’s justified.  Take a look at this clip where he tears into Vampire Weekend with dry sardonic viciousness.
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Part 90 of my countdown blasts forward with one of my favorite group, Islands, and there video “Rough Gem.”  From their debut record Return to the Sea, “Rough Gem” is a beautiful kaleidoscopic indie pop song that swirls, spirals, and cyclones all over your ears.  It’s a gorgeous cacophony of genius modern pop.  I’m not entirely sure what the song is about, but I’m guessing its Islands leader Nick Diamonds mission statement about his soul or his fake last name.  I just discovered the video this morning, and I think its great as well.  Its a nice lo-fi astronaut adventure where the Islands spaceship is shot by a floating laser diamond.  Pretty typical of the group spawned from the legendary Unicorns.  Check it out.  SPECIAL MESSAGE:  This post represents the first of the last ten posts in my youtube favorites countdown.  When I hit #100, there will be a special retrospective look at the entire list, so get ready!

Did you know that when you plug your iPod into your computer, iTunes can arrange your iPod’s mp3s by plays, from most played to least? It’s pretty fascinating to see what you’ve been listening to exclusively, and how many thousands (yes thousands of times) you’ve clicked play on certain songs. Well, I’d thought it’d be interesting to share the top ten most played songs on my iPod in a new awesome mega post. So, without further ado, here is the list, starting with #10!

#10- The Police- Can’t Stand Losing You, 255 plays. My countdown kicks off with the Police’s catchy little reggae punk tune known as “Can’t Stand Losing You.”  From Outlandos d’Amour, this song isn’t skipped much for a bunch of reasons.  First, its supremely catchy, with its syncopated guitars, tight harmonies, and perfect drumming.  Second, Sting’s lyrics are so raw and real, that its one of the greatest breakup songs ever.  I’m just addicted to the way that chorus fades into oblivion.

#9-  The Beatles- Eleanor Rigby, 509 plays. Ahh, the Beatles, of course, you’ll be seeing a few songs by the fab four pepper my top ten I’m not ashamed to say. “Eleanor Rigby,” from Revolver, is just a brilliant song to play on a crowded depressed subway during rush hour.  The song swoops in with George Martin’s brilliant string arrangement, and you look around the train and see “all the lonely people,” wondering “where do they all belong.”  Then you wonder if you yourself is one of those lonely people who is gonna die alone while you are arranging your socks in your dingy apartment. Read more »

In part 43 of my youtube countdown, I present to you the Magnetic Fields singing “Grand Canyon,” one of their great songs off their epic 69 Love Songs album.  The Magnetic Fields are the brainchild of serially depressed genius Stephin Merritt.  To me, Stephin is lyrically as brilliant as Bob Dylan..yes, I know what I just said, but its true.  He is a master pop lyric craftsman and probably one of the top 3 contemporary songwriters in the world today.  He sings in a very low Sintra-esque voice, which, to me, adds a timeless quality to his very original music.  “Grand Canyon,” a breathtakingly brilliant song about rekindling lost love, is one of 69 songs from his aforementioned triple album.  The album, which you all should get, and which I’ll probably do a big feature on soon, is one of the greatest pop albums of the past 20 years, and deserves to be heard by all, so check it out.  In the meantime, let the brilliant simple words of “Grand Canyon” serve as your introduction to this band of geniuses.

If you’ve been visiting my site, you realize that a lot of my youtube favorites come from another era.  Well here’s one from a more recent time.  Part 18 of my countdown continues with the Unicorns, Tuff Ghost.  Hailing from Montreal, the now defunct Unicorns were fronted by silly pop geniuses Nick Diamonds (real name Nicholas Thorburn) and Alden Ginger (real name Alden Penner,) and backed by creative drummer J’aime Tambeur (real name Jamie Thompson.)  They had one major record release Who Will Cut Our Hair When We’re Gone, an awesome concept album about fear, death, dying, ghosts, camping, and airplanes.  I love the Unicorns because they were fronted by two incredible pop singer/songwriters who do nothing but remind me of a modern day Lennon/McCartney.  The Unicorns would sadly break up, and Diamonds, the more Lennony one went on to form the incredibly underrated group Islands, and Ginger, the McCartney one went on to form the equally interesting Clues.  I still dream of a reunion record one day, but until that happens, I’ll have to make due with videos like of Tuff Ghost.  It’s a hard bass driving pop gem with Diamonds and Ginger alternating verses about a weight lifting ghost who doesn’t sweat.  I love The Unicorn’s stage presentation, costumes, and most of all, incredible music.  So here you go, Tuff Ghost!