Beulah was formed in a mail room in San Fransisco when Miles Kurosky and Bill Swan decided they both liked the same music, well mostly. This is the kind of story yours truly can get behind due to own desire to hatch great ideas when I worked in a mail room. Robert Schneider of the Apples in Stereo hooked them into Elephant 6 when he heard their first demo, and before you knew it, Beulah was one of E6′s shining stars of indie rock. The thing I love about the Elephant 6 Collective was how they all intermingled with each other and helped out other bands when they recorded and went on tour. The “collective” part of the moniker was no bullshit, as this was a band of boys and girls who all loved the same music, and all dreamed of becoming rock stars. They remind me of the way certain underground comedy teams were forming around this time in the mid 90s like Upright Citizens Brigade and the State. Creative young people in the 90s all saw the value in sharing, working together, and having fun, despite rivalries, which were never too serious. Beulah is that band, constantly swapping members with Of Montreal, Olivia Tremor Control, and the Apples. Musically, Beulah has a gorgeous storytelling quality to their songs. Most of them begin somewhere in the middle, and the music is so energetic and uplifting, that you just go along for the ride, no matter how out of context the lyrical content seems. The only thing I know about “Gene Autry” is that it was released on 9/11/01, bestowing it’s sweet sadness with even more mysticism. “Emma Blowgun’s Last Stand” has some of the greatest lyrics you’ll find in an indie rock song. Lastly, my favorite, “Ballad of the Lonely Agronaut,” I’ve played 1000 times. I always kept swept up in its tale of American exploration, and its ceaselessly catchy structure. The song bursts out the gate with an enthusiastic melody that just hooks you instantly. Also, the line, “gold is coated with gold on the languid hills, where they wait for hours and hours, cool grey ladies from Shirley’s loan us cheer, as they sat for hours and hours,” is so wonderful, and I have no idea what it means, but its been stuck in my head forever. Beulah broke up in 2004 because their last record, Yoko, despite the best reviews of their career, failed to go gold, a huge goal for the band never reached. The recording of that album, which featured the breakup of Miles and his long term girlfriend, and three other band member divorces, was dark and difficult, and took its toll on the group’s psyche. It was a bit of a burnout for one of the most unique and creative bands of the late 90s/early 00′s, but they certainly left a legacy as one of America’s best underground bands with one of the most devoted fan bases.
Archive for Elephant 6 Collective
Beulah, Gene Autry, Emma Blowgun’s Last Stand, Ballad of the Lonely Agronaut
Posted in Beulah, Youtube Favs with tags 9/11, 9/11/01, 90s rock, Apples in Stereo, Ballad of the Lonely Agronaut, Beulah, Bill Evans, Bill Swan, California, Danny Sullivan, E6, Elephant 6, Elephant 6 Collective, Eli Crews, Emma Blowgun's Last Stand, Gene Autry, indie pop, indie rock, Miles Kurosky, Neutral Milk Hotel, New York City, Of Montreal, Olivia Tremor Control, Pat Abernathy, Pat Noel, psychedelic pop, psychedelic rock, Robert Schneider, Rock and Roll, San Francisco, Steve La Follette, Steve St. Cin, The State, Upright Citizens Brigade, When Your Heartstrings Break, willie simpson, Yoko on September 23, 2011 by WillieThe Olivia Tremor Control, Love Athena, Memories of Jacqueline 1906, Black Foliage (Itself)
Posted in The Olivia Tremor Control, Youtube Favs with tags 90s psychedelia, 90s rock, Apples in Stereo, Bill Doss, Black Foliage, Black Foliage (Itself), California Demise, Circulatory System, Dusk at Cubist Castle, Elephant 6 Collective, Eric Harris, experimental rock, indie pop, indie rock, Jeff Mangum, John Ferandes, Louisiana, Love Athena, Memories of Jacqueline 1906, neo psychedelia, Neutral Milk Hotel, Of Montreal, Olivia Tremor Control, OTC, Peter Erchick, psychedelic pop, psychedelic rock, Robert Schneider, Rock and Roll, Ruston, Singles and Beyond, Smile, The Beach Boys, the Beatles, The Olivia Tremor Control, The Sunshine Fix, The White Album, Will Cullen Hart, willie simpson on September 20, 2011 by WillieThe oddly named Olivia Tremor Control hail from Ruston, Louisiana, and are probably the most beautiful thing ever to come out of that place. Along with Robert Schneider’s Apples in Stereo, the OTC were founding members of the Elephant 6 Collective, the group of like-minded psychedelic enthusiasts who sought to re-inject the world with the sort of pure kaleidoscopic bliss not heard since 1967. Fronted by the songwriting team of Bill Doss and Will Cullen Hart, Bill and Will churned out two timeless records of 90s indie rock, possibly the best ever, with back to back double albums, Dusk at Cubist Castle and Black Foliage. These records are monuments to their ability to carve beauty out of sound. Filled with fragments, song experiments, and some of the greatest psychedelic pop songs ever, the two records weave together in a gorgeous cacophony of sonic splendor. If you’re the kind of person who loves the Beatles “White Album,” and always wondered what the Beach Boys completed Smile would sound like, just buy, download, or steal the OTC’s records immediately. The band never released any official music video that I know of, so you’ll have to do with straight up still youtube videos as samples, but my preview is going to glide you along OTC’s chronological history. The first song, “Love Athena,” is from their earliest days, appearing on compilation records California Demise and Singles and Beyond. It is the great white whale of underground psychedelic pop rock, filling you with feelings of nostalgic love for perfect lost days. I kind of hate how they mumble some of the greatest lyrics ever written. Just check out the chorus, “Shining like Athena in a silver suit of armor, Her love is like a nail and now I’ll bring down the hammer, Sprouting like a flower on a hill top where I’ll find her, Where I’ll plant a seed and watch it grow into the streaming light of love.” Unbelievable poetry. The next song, “Memories of Jacqueline 1906,” is from Dusk at Cubist Castle, and is just a perfect rock and roll raga. I have no idea what the song is about, but its basically like a lost melody the Beatles might have churned out in early 1968 when they were meditating in India. That introductory electric and acoustic guitar part is so perfect, my God, just play it! Last is the song “Black Foliage (Itself)” from the epic Black Foliage record, (itself.) Hah. This song is just a masterpiece of sonic architecture, with sounds rushing in and out, all orbiting around a melody and words so dark and beautiful. I love how the song keeps crashing into itself like ocean waves at midnight. All this stuff is hard not to describe abstractly, so I really suggest you get right to work and listen to these tracks, then get everything they’ve ever done. Before I go, if they are reading this, I just want to thank the Olivia Tremor Control for creating some of the greatest music of all time, and inspiring me to make music as well. From one Willie to a Bill and Will, you guys are the best.



