Beulah was formed in a mail room in San Fransisco when Miles Kurosky and Bill Swan decided they both liked the same music, well mostly. This is the kind of story yours truly can get behind due to own desire to hatch great ideas when I worked in a mail room. Robert Schneider of the Apples in Stereo hooked them into Elephant 6 when he heard their first demo, and before you knew it, Beulah was one of E6′s shining stars of indie rock. The thing I love about the Elephant 6 Collective was how they all intermingled with each other and helped out other bands when they recorded and went on tour. The “collective” part of the moniker was no bullshit, as this was a band of boys and girls who all loved the same music, and all dreamed of becoming rock stars. They remind me of the way certain underground comedy teams were forming around this time in the mid 90s like Upright Citizens Brigade and the State. Creative young people in the 90s all saw the value in sharing, working together, and having fun, despite rivalries, which were never too serious. Beulah is that band, constantly swapping members with Of Montreal, Olivia Tremor Control, and the Apples. Musically, Beulah has a gorgeous storytelling quality to their songs. Most of them begin somewhere in the middle, and the music is so energetic and uplifting, that you just go along for the ride, no matter how out of context the lyrical content seems. The only thing I know about “Gene Autry” is that it was released on 9/11/01, bestowing it’s sweet sadness with even more mysticism. “Emma Blowgun’s Last Stand” has some of the greatest lyrics you’ll find in an indie rock song. Lastly, my favorite, “Ballad of the Lonely Agronaut,” I’ve played 1000 times. I always kept swept up in its tale of American exploration, and its ceaselessly catchy structure. The song bursts out the gate with an enthusiastic melody that just hooks you instantly. Also, the line, “gold is coated with gold on the languid hills, where they wait for hours and hours, cool grey ladies from Shirley’s loan us cheer, as they sat for hours and hours,” is so wonderful, and I have no idea what it means, but its been stuck in my head forever. Beulah broke up in 2004 because their last record, Yoko, despite the best reviews of their career, failed to go gold, a huge goal for the band never reached. The recording of that album, which featured the breakup of Miles and his long term girlfriend, and three other band member divorces, was dark and difficult, and took its toll on the group’s psyche. It was a bit of a burnout for one of the most unique and creative bands of the late 90s/early 00′s, but they certainly left a legacy as one of America’s best underground bands with one of the most devoted fan bases.
Archive for 9/11
Beulah, Gene Autry, Emma Blowgun’s Last Stand, Ballad of the Lonely Agronaut
Posted in Beulah, Youtube Favs with tags 9/11, 9/11/01, 90s rock, Apples in Stereo, Ballad of the Lonely Agronaut, Beulah, Bill Evans, Bill Swan, California, Danny Sullivan, E6, Elephant 6, Elephant 6 Collective, Eli Crews, Emma Blowgun's Last Stand, Gene Autry, indie pop, indie rock, Miles Kurosky, Neutral Milk Hotel, New York City, Of Montreal, Olivia Tremor Control, Pat Abernathy, Pat Noel, psychedelic pop, psychedelic rock, Robert Schneider, Rock and Roll, San Francisco, Steve La Follette, Steve St. Cin, The State, Upright Citizens Brigade, When Your Heartstrings Break, willie simpson, Yoko on September 23, 2011 by WillieTed Kennedy’s Eulogy for Robert F. Kennedy
Posted in Politics, Robert F. Kennedy, Youtube Favs with tags 1967, 9/11, Alexander the Great, apartheid, Bobby Kennedy, Christopher Columbus, Edward Kennedy, Jack Kennedy, Jackie Kennedy, JFK, Joan of Ark, John Kennedy, Kennedy Brothers, Martin Luther, New York, New York City, NYC, politics, RFK, Robert F. Kennedy, South Africa, Ted Kennedy, The Kennedys, The sixites, Thomas Jefferson, USA, Vietnam, Vietnam War, willie simpson on September 12, 2011 by WillieRevolution, liberty, discovery, and moral courage. These were themes prevalent in Ted Kennedy’s eulogy for his brother Bobby, after his insane assassination in 1968. Drawing directly from one of Bobby’s greatest speeches, Ted quoting Bobby, said that, “Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope. And crossing each other from a million different centers of energy and daring, those ripples build a current that can sweep down the mightiest walls of oppression and resistance.” Well, I don’t know about you, but that’s one of the greatest things I’ve ever heard or read. To me, it encapsulates the frontier thinking that marked the cultural and social revolutions going on in the 1960s. Bobby originally gave that speech in apartheid afflicted South Africa in 1966, where racism and intolerance were raging. Ted’s eulogy for his brother was also perhaps his finest moment and speech, summing up his brother’s life by stating that “his brother not need to be idealized, or enlarged in death beyond what he was in life,” and that “he be remembered as a good and decent man, who saw wrong and tried to right it, saw suffering and tried to heal it, and saw war and tried to stop it.” It’s at this point, where Ted’s voice begins to quaver, and he delivers Bobby’s greatest thought ever, “some men see things as they are, and say why, I dream things that never were, and say why not.”
The Strokes, Last Nite
Posted in The Strokes, Youtube Favs with tags 9/11, Albert Hammond Jr., Australia, CBS, CBS's Most Valuable Blogger, Chinatown, Fabrizio Moretti, garage rock, garage rock revival, Haagen Dazs, indie rock, Julian Casablancas, Korea, Last Night, Last Nite, Museum of Natural History, New York City, Nick Valensi, Nikolai Fraiture, NYC, Post Punk, post punk revival, Rock and Roll, September 11th, Sheepshead Bay, South Korea, The Strokes, Williamsburg, willie simpson on September 6, 2011 by WillieI had a fun Labor Day weekend. I crossed the Williamsburg Bridge on foot for the first time, explored Greenpoint, went to a great BBQ in Sheepshead Bay, got free tickets to the Museum of Natural History, hung out in Chinatown eating at the legendary Wo-Hop, and had a Belgium Chocolate milkshake at Haagen Dazs. Basically, I was all over New York City, taking in the city I love before I depart for South Korea and Australia next month. One great thing about this city is its history of rock and roll music, and no band in recent memory has blazed the torch for New York cool more than the Strokes. At once both declared the saviors of rock and roll, and everything wrong with it, the Strokes have persisted for ten years now. Coming out right after 9/11, the Strokes rock harder than ever, at least they do live, and it all started with their debut single, “Last Nite.” When this single came out, I was 17 years old, starving for a new rock band to break into the pop scene and change the awful commercial images that dominated the depleted American cultural landscape at the time. A lot of people would argue that the Strokes were depleted themselves, merely presenting a retread of the early 80s post punk rock movement, but I didn’t subscribe to that theory. I saw them for what they were, rock stars writing catchy, exciting, and tasteful songs. They were cool, and they still are. Stroke on Strokes, and remember to vote me as CBS’s Best Local NYC Blogger by clicking here!




