I love these two songs. It’s practically a crime to have the two fight for glory, but fight they must. “For No One,” from Revolver, is one of Paul McCartney’s most brilliant break up songs, and “She Smiled Sweetly,” from Between the Buttons is perhaps Mick and Keith’s most beautiful and mature love song. Let’s pull the curtain up first on Paul McCartney’s “For No One.” Whoosh.
A lot of great Beatle footage in there, even though the song is practically a solo Paul effort. Ok, now onto “She Smiled Sweetly.”
And after watching that, I do believe that she did indeed smile sweetly. Ok, lets check out the battlefield, count the bloody remains, and see who won this competition of the damned.
BEST DRUMMING: Charlie Watts. Ringo is probably the second greatest contributor to “For No One,” but his drumming is purposefully mixed low underneath the driving piano and French horn courtesy of Alan Civil. Charlie, who hasn’t had a good showing thus far in the Battle of the Bands finally scores over Ringo. His drumming is upfront, beautiful, and intimate, boldly displaying an unadorned emotionality in every beat.
BEST BASS PLAYING: Bill Wyman. Paul’s bass is limited, and kinda gimmicky in its attempt to mimic a classical arrangement. It works, but I really prefer Bill’s work on “She Smiled Sweetly.” His bass just vibrates and soars with a fat resonance. It’s actually rather gorgeous and provides about 50% of the songs somber atmosphere.
BEST RHYTHM PLAYING: Paul. There isn’t really any guitar work on these songs, so we’ll compare pianos. Both are expertly performed, but Paul McCartney’s piano riffs and arrangements are very creative and singular. “She Smiles Sweetly” has a beautiful and lumbering shuffle, but it’s not what makes the song special.
BEST LEAD PLAYING: Paul. Well, Alan Civil to be precise. The French Horn solo is actually the only solo in either song, and it’s pretty great, creating a sort of mundane English matter of factness. The feeling it is evokes is one that says, ‘you might have just had your heart destroyed, but life is going on all around you, and nobody cares.’ It was a masterstroke of production common of George Martin and Paul McCartney by 1966.
BEST LEAD SINGING: Mick. We are passing the group singing for this contest, as there isn’t really any. What we have though is Mick’s insanely vulnerable and atmospheric vocal performance, a testament to his range, and evidence of him being one of the world’s greatest rock singers, if not the greatest. Mick just encapsulates coolness, sadness, beauty, and mystique all at once in this gorgeous love ode. Paul is equally incredible, but his performance is a bit restrained and distant. He performs a more emotional and rendition of the song on acoustic guitar in this video, which I’ve highlighted before.
BEST SONGWRITING: TIE! Both songs represent the best of mid 60s British chamber pop. Both songs were written by songwriting masters. Both songs are performed with the utmost emotionality and genuineness. Both songs are works of genius. It’s a tie.
WINNER: The Rolling Stones! “She Smiled Sweetly” just takes me to that special place no matter what mood I’m in. “For No One,” is most effective after a breakup, as its particularly devastating, but when that’s not the case its merely just a great song. “She Smiled Sweetly,” is the stuff dreams are made of. Stay tuned tomorrow as we wrap up this Battle of the Bands in a thrilling and unexpected conclusion. Don’t miss it!Tags: 60s pop, 60s rock, Alan Civil, Battle of the Bands, Between the Buttons, Bill Wyman, Brian Jones, British Invasion, British Rock, Charlie Watts, England, folk, folk rock, George Harrison, George Martin, John Lennon, Keith Richards, Mick Jagger, Paul McCartney, piano pop, psychedelic pop, psychedelic rock, Revolver, Ringo Starr, Rock and Roll, the Beatles, The Beatles vs. the Rolling Stones, The Rolling Stones, willie simpson